The individuals research the paintings of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail baby, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays spotlight the variety in those filmmakers’ kinds and techniques, masking subject matters comparable to how Menken used movie for you to reconsider the transition from summary expressionism to Pop artwork within the Nineteen Fifties and Sixties, how Rubin either objectified the physique and investigated the filmic equipment that enabled that objectification in her movie Christmas on Earth (1963), and the way Dunye makes use of movie to discover her personal id as a black lesbian artist. while, the essays show commonalities, together with a bent towards documentary instead of fiction and a dedication to nonhierarchical, collaborative construction practices. The volume’s ultimate essay focuses explicitly on instructing women’s experimental motion pictures, addressing logistical matters (how to procure the flicks and safe right viewing areas) and increasing the variety of the publication through suggesting replacement movies for lecture room use.
Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees
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