Alexandra Juhasz requested twenty-one girls to inform their tales -- girls whose names make up a who's (and who may be) who of self reliant and experimental movie and video. What emerged within the ensuing conversations is a compelling (and formerly underdocumented) heritage of feminism and feminist movie and video, from its origins within the fifties and sixties to its apex within the seventies, to today.
Women of imaginative and prescient is a spouse piece to Juhasz's 1998 documentary of an identical identify. The ebook provides the full interviews, permitting readers to listen to without delay the voices of those articulate, passionate girls in an interactive remembering of feminist media background. Juhasz's advent offers a old, theoretical, and aesthetic context for the interviews.
These matters have all formed past due twentieth-century movie and video in primary methods, both as artists, manufacturers, vendors, critics, or students, they usually all think that media are the main robust instruments for effecting swap. but they seem to be a very different team, with greatly various own backgrounds. through featuring their interviews jointly, Juhasz indicates the variations between these inquisitive about feminist media, but additionally the connections between them, and how within which the sector has been enriched by way of their sharing of information and tool. in any case, Juhasz not just documents those women's careers, she broadens our knowing of feminism and exhibits how feminist heritage and documentary are made.
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Additional info for Women of Vision: Histories in Feminist Film and Video
It was once like blood transfusions with varied blood forms: what was once very important to me didn't translate for my scholars. I felt that I had a life-changing reward to provide them, yet they did not wish it. one other factor: in a school room, I usually locate it more uncomplicated to offer younger males extra awareness than my girls scholars. the boys appear more well-off with now not figuring out and nonetheless feeling they've got a correct to be there. i need to be very aware of my instructing to inspire ladies scholars. They understand too good the way to be within the heritage.
Why do you or your pal Doug imagine that autobiography is lifeless for feminists, or perhaps usually? i don't believe it's, precisely. I do imagine that there are specific tropes—the closeup of the attention within the pixel-vision digicam, or "This is a narrative approximately. . . " or irony and pathos—that we have seen earlier than. i am as as an individual else approximately announcing issues in a clean method. a few of the subject material has been explored in previous paintings, yet it is not like these difficulties were resolved in society or in an inside mental manner.
KATE HOBSFIEID a hundred and five KATE HORSFIELD government Director Video info financial institution, 1976 to the current Collections On paintings and Artists self sufficient Video and replacement Media Early Video artwork Americas With/Out Borders Productions 1984 Video Drive-In: Chicago, Lisbon, Barcelona, ny urban 1987 Ana Mendieta: Fuego de Tierra (with Nereyda Garcia-Ferraz and Branda Miller) Compilations 1986 What Does She wish, 6 hours 1989 Video opposed to AIDS, 6 hours 1996 Surveying the 1st Decade: Video artwork and replacement Media within the usa: 1968-1980, 17 hours forums self sustaining tv carrier Lyn Blumenthal Fund, president touch details Video facts financial institution, 112 South Michigan Ave.
There have been numerous movies approximately girls that by no means obtained made, partially simply because i used to be in partnership with a guy. He was once great—a strong companion and a superb filmmaker—but there have been convinced topics within which he could not take part. really, his resistance to the assumption of doing a movie on daycare and the stresses on women's lives used to be a part of what ended in our breakup. He didn't wish me to do it. We mentioned it, on and off, for an entire 12 months. Come to consider it, all of the movies I by no means made have been a bit extra bizarre and radical, stylistically, and all have been approximately ladies.
To the contrary, third-wave theorists suggest—as i started to do above—that our iteration is outlined not only negatively via competition to our foremothers, but additionally in the course of the proactive embody of a complete host of relationships and stances: for instance, multiplicity, poststructuralism, postmodernism, postessentialism, postsubjectivity, pro-sexualism, transgression, functionality, postcolonialism, and women-of-color feminism. Third-wave feminists comprehend ourselves in terms of the feminisms that preceded us.