Music and Literature in German Romanticism (Studies in German Literature Linguistics and Culture)

The interrelationship among track and literature reached its zenith throughout the Romantic period, and nowhere was once this dating extra suggested than in Germany. Many representatives of literary and philosophical German Romanticism held song to be the top and such a lot expressive, quintessentially Romantic artwork shape, in a position to show what can't be expressed in phrases: the ineffable and metaphysical. The effect used to be reciprocal, with literature offering a wealthy resource of notion for German composers of either instrumental and vocal song, giving upward push to a wealth of latest varieties and types. The essays during this quantity are chosen from papers awarded at a world, interdisciplinary convention held at college university Dublin in December 2000, and comprise contributions from Germanists, musicologists, comparatists, and function artists. This interdisciplinarity makes for trained and complementary techniques and arguments. The essays disguise not just the "Romantic" 19th century (commencing with the early Romanticism of the Jena circle), but in addition look forward to the legacy, reception, and continuation of German Romanticism within the smooth and postmodern a long time. along new readings of widespread and verified writers and composers comparable to Goethe, Hoffmann, Wagner, and Schubert, a case is made for different figures resembling Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, in addition to less-known figures equivalent to Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will attract readers with a large choice of educational, musical, and literary interests.Siobhán Donovan is a Lecturer within the division of German at college university Dublin. Robin Elliott is Jean A. Chalmers Chair in Canadian song on the collage of Toronto.

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Carl Dahlhaus, Egon Voss, et al. (Mainz and ny: Schott, 1970–); Wagner-Werke-Verzeichnis: Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen, erarbeitet im Rahmen der Richard Wagner-Gesamtausgabe, ed. John Deathridge, Egon Voss, and Martin Geck (Mainz and long island: Schott, 1986). 29 The 12 months 1992 may still might be be singled out, as this was once whatever of a watershed yr. No fewer than 3 convention volumes seemed in the course of that yr: The Romantic culture: German Literature and song within the 19th Century, ed.

Hamlet) Frosch: “Donnez nous une Chanson. ” Méphistophélès: “Tant que vous en voudrez. ” Siebel: “Mais quelque selected de nouveau. ” Méphistophélès: “Nous revenons d’Espagne, c’est l’aimable can pay du Vin et des Chansons. ” Siebel: “Ainsi soit-il de toutes les puces! ” ANDREA HÜBENER desk 1. (Continued) Table 1. (Continued) Faust citation commencing every one scene No. 6 Le Roi de Thulé. Chanson Gothique Ophelia: “He is lifeless and long gone; at his head a grass eco-friendly turf, at his heels a stone. ” (Hamlet) Marguerite: “Un frisson me courtroom par tout le corps .

Hanslick was once the main eloquent and significant consultant of the formalist viewpoint, which held that the content material of track isn't really emotions, feelings, or literary texts, yet quite “tönend bewegte Formen. ” The fluidity of positions in the course of the century is indicated by means of Hanslick’s early championing of Wagner (or not less than Tannhäuser), and Brahms’s writing to Clara Schumann, upon turning into accustomed to Hanslick’s treatise, that he desired to learn it, yet “fand aber gleich beim Durchsehen so viel Dummes, daß ich’s ließ.

29 HA2:188–90; additionally in Otto Erich Deutsch, Schubert: Die Dokumente seines Lebens und Schaffens, third rev. ed. (Leipzig: Breitkopf & Härtel, 1996), forty. The Goethe songs that followed the letter have been: “Jägers Abendlied,” D. 368, “Der König in Thule,” D. 367, “Meeresstille,” D. 216, “Schäfers Klagelied,” D. 121, “Die Spinnerin,” D. 247, “Heidenröslein,” D. 257, “Wonne der Wehmut,” D. 260, “Wandrers Nachtlied” (“Der du von dem Himmel bist”), D. 224, “Erster Verlust,” D. 226, “Der Fischer,” D. 225, “An Mignon,” D.

Boydell. co. united kingdom ISBN: 1–57113–258–9 Disclaimer: a few photos within the revealed model of this booklet are usually not to be had for inclusion within the publication. To view the photographs on those please consult with the broadcast model of this booklet. Library of Congress Cataloging-in-Publication facts song and literature in German romanticism / edited by way of Siobhán Donovan and Robin Elliott. p. cm. — (Studies in German literature, linguistics, and tradition) “The papers accrued during this quantity have been provided on the interdisciplinary convention track and Literature in German Romanticism held in college university Dublin from eight to ten December 2000.

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