Gabriel Faure: A Guide to Research (Routledge Music Bibliographies)

First released in 2011. Routledge is an imprint of Taylor & Francis, an informa corporation.

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228. Lindenlaub, Th. “Mort de Gabriel Fauré. ” Le temps, five November 1924, three. Extols Fauré’s tune, quite the past due works; credit him with innovation and enrichment of “le langage harmonique”; explains how “le Schumann français” is really various from the German composer describing Fauré as “[le] plus web artiste français depuis Rameau. ” The tribute is via the editor’s short biographical caricature of Fauré. 229. Malherbe, Henry. “Chronique musicale: Gabriel Fauré. ” Le temps, 6 November 1924, three.

Le temps, 6 November 1924, three. hyperlinks Fauré’s demise with that of Anatole France a number of days sooner than by way of asserting that the 2 occasions marked the tip of a wonderful period of French tradition; prices Fauré’s modest opinion of himself and his perspectives of a couple of different composers; lists a couple of Fauré’s very important works; describes his type utilizing the phrases “divine simplicity” and “an Bibliography 173 originality packed with surprises”; mentions that as Debussy used to be the grasp of 9th chords, so Fauré was once of 7th chords; credit Fauré with protecting the French musical language opposed to “le pretend esprit et le mauvais goût.

Gabriel Fauré. ” Enciclopedia dello spettacolo. Rome: Casa Editrice le Maschere, 1958. incorporates a biographical cartoon by means of a dialogue of the central works for the stage—Prométhée, Pénélope, and Masques et bergamasques; very important for the paintings record which provides info of first performances; brief bibliography. 127. Honegger, Marc. “Gabriel Fauré. ” Dictionnaire de los angeles musique: Les hommes et leurs œuvres. second ed. Paris: Bordas, 1986. ISBN 204-015396-9 A chronology of existence and significant works is by means of a listing of compositions, a severe dialogue of Fauré’s track, and a small bibliography.

12 Bibliography a hundred and fifty five The part on Fauré himself (784–804) starts off with a dialogue of Fauré’s harmonic language, keeps with a biographical part, and ends with a stylistic research of Fauré’s works, style by way of style; strains affects on Fauré (Gounod, Chopin, Schumann) and compares Fauré with Debussy, really of their remedy of Verlaine’s texts. Sections of the bankruptcy are dedicated to Ravel (804–28) and different scholars of Fauré—Schmitt, Roger-Ducasse, Aubert, Ladmirault, Kœchlin (829–47).

2. ordinary paper (LEB), 20 staves; 2 bifolia; 6 pages of track; 1r as name web page: “[black ink, autograph] II/Reflets dans l’eau”; 4v clean; publisher’s marks. In B . three. traditional paper (LEB), 20 staves; 2 bifolia; four pages of track; 1r as name web page: “[black ink, autograph] III/Jardin nocturne”; 3v–4v clean; publisher’s marks. In E . four. traditional paper (LEB), 20 staves; 2 bifolia; five pages of track; 1r as identify web page: “[black ink, autograph] IV/Danseuse”; 4rv clean. In d. MS 17745 l. a. bonne chanson, Op. sixty one, Nos. 1, four, nine 1.

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