American Ballads and Folk Songs (Dover Books on Music)

"A e-book to cherish permanently." — The ny Times.
With this plentiful number of real ballads and songs, you could immerse your self within the wealthy culture and history of yank folks track. detect the variety, spontaneity, free-flowing melody, and sheer invention of rankings of songs sung via cowboys and convicts, lumberjacks, hobos, miners, plantation slaves, mountaineers, infantrymen, and plenty of others.
One of the impressive gains of this assortment is its authenticity. some of the songs have been recorded "on place" through famous folklorist John A. Lomax and his much more recognized son, Alan, as they traveled round the usa. the implications are firsthand types of song and lyrics for over 2 hundred railroad songs, chain-gang songs, mountain songs, Creole songs, cocaine and whisky songs, "reels," minstrel songs, songs of adolescence, and a number of others. between them are such universal favorites as "John Henry," "Goin' Home," "Frankie and Albert," "Down within the Valley," "Little Brown Jug," "Alabama-Bound," "Shortenin' Bread," "Skip to My Lou," "Frog Went a-Courtin'," and a bunch of others. an exceptional advent, notes on every one music, a bibliography, and an index around out this wide and necessary collection.
Musician, musicologists, folklorists, singers — a person drawn to American folks song — will welcome this treasury of undying tune accrued in a single convenient, reasonably cheap volume.

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BINGHAM, SETH (composer), 5 Cowboy Songs. long island: H. W. grey Co. , 1930. Solos with problematic accompaniments; additionally choral preparations for men’s voices. BONE, D. W. , Capstan Bars. manhattan: Harcourt, Brace & Co. , 1932. Chanteys and sketches approximately their use. Bulletin of the Folksong Society of the Northeast, 1930– BURLEIGH, H. T. (composer), 4 Negro Folksongs. long island: Ricordi, 1921. no longer spirituals. BURLEIGH, H. T. , Negro Spirituals. big apple, 1917–. some of the most lovely spirituals prepared for solo voice with particularly complicated accompaniments; additionally preparations for choral use.

The syllables “uh-huh” and “oh, yeah” are to be repeated in each one stanza. * This stanza and the 2 previous are quoted from Odum and Johnson’s Negro Workaday Songs. † R. V. Utter, R. F. D. No. 1, Clayton, Mo. * This stanza and the 2 following are quoted from Odum and Johnson’s Negro Workaday Songs (Chapel Hill, N. C. : collage of North Carolina Press, 1926). † reported “jonny head. ” * The Texas & Pacific and the Morgan railroads run via Louisiana, the place a few verses of this tune have been recorded.

Isum Lorantz spoke up his personal se’f, says, bring up up, boys, increase up, elevate up— Breakfas’ on de desk, coffee’s gettin’ col’, Ef you don’ come now, goin’ throw it outdo’s. Aincha gwine, aincha gwine, boys, aincha gwine? Den ol’ shack bully Simmons ’gin to holler similar means. Ol’ nigger Shakleton in mattress yit, the following i'm smokin’ my 3rd cigaritt. chorus: Aincha gwine, aincha gwine, boys, aincha gwine? Spoken Come an’ see what you were given on yo’ breakfas’ desk: Ram, ham, poultry, an’ mutton; Ef you don’ come now, you gained’ git nuttin’.

From N. E. Bugbee, Cortland, manhattan, could thirteen, 1933: I’ve traveled throughout this international and Tonawanda, too, used to be forged on wilderness islands, used to be crushed black and blue, was once shot and minimize at Bull’s Run, I’ve wandered when you consider that a boy; yet I’ll ne’er disregard the journey I drove from Buffalo to Troy. refrain: For it was once tramp, tramp and tighten up your strains, And watch the playful horse flies ’round the mules they climb, For it used to be cuss, kick, and graceful, put out of your mind it I by no means shall while I drove a staff of sorrel mules at the Erie Canal.

WALTER D. EDMONDS, in Rome Haul. The creation (page xxix) includes the tale of the way the 1st model of the Erie Canal ballad, as herein revealed, was once prepare. The phrases call for tune, and absolutely the track used to be sung. At one time the music used to be recorded for me through a former towpath boy, William D. Totten of Seattle, Washington, even though, regrettably, on wax which has in view that crumbled. 20 years was once too lengthy to attend. lately I spent a while in Albany, Syracuse, and Buffalo within the attempt to unearth the unique melody.

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